HANDCUFFM.S 12TH CENTURY

Replica Sculptures & Objects

HANDCUFF

One of the most abundant and accessible archaeological findings from the Neolithic period to recent decades,

thoughts and beliefs, science and technology, economics and the relationship between peoples and nations

Pottery is considered to be the most appropriate archaeological data to understand Islamic

Among the different periods of pottery, the Seljuk period is the most important in terms of construction and decoration.

It is considered one of the bright periods of art. Before the Seljuk period, unglazed pottery

The decorations on the pottery are carvings that are considered a legacy of the Sassanid and Parthian periods.

or flakes. Unglazed pottery decoration commonly used during the Seljuk period

One of the innovations of the potters of this period was glazed pottery.

pottery with moulded patterns, also used for decoration. Also in the 13th century (7 AH)

Different types of kitchenware belonging to the Seljuk period, made in the 12th century (6 AH), are more

had ornamentation and more elaborate decorations, on the other hand, the Iranian attitude towards water had long

It has been a sacred being for a long time, in Iranian culture water is one of the four main elements of this world,

It is clear that it is necessary to make vessels for the sacred liquid in its dignity. One of these mashrabeh vessels M.S.

It dates back to the 12th century, and according to dictionary definitions, mashrabeh is a type of drinking vessel or wine

can be attributed to their goblets, mashrabeh is divided into two groups: with handles and without handles, mashrabeh

dancer wearing long pleated robes and boots, carved by insertion or molding

It is embroidered with men's motifs. They wear long clothes and their hands are folded on top of each other and their hands are

intertwined, this motif is called the dance of the Magi or the dance of the hands in the Zoroastrian religion and

The form of this dance, the care of the hands and the placement of the feet are the characteristics of this ritual dance in ancient Turkic

It resembles a dance. There is also an Arabic inscription on the collar of this drink, which reads: Al-

Izzo al-Iqbal, al-Ni'mah, al-Sa'ada, al-Dawla, al-Nusra, al-Rahma, etc. The curvature of the neck is also slightly

is different and is proportional to the body of the drinker.

HANDCUFF

One of the most abundant and accessible archaeological discoveries from the Neolithic period to

recent decades is pottery, which is regarded as the most suitable archaeological evidence for

comprehending thought and beliefs, science and technology, economy, and the relationships between

peoples and nations. Among the various periods of Islamic pottery, the Seljuk period is recognized as

a significant era for this art in terms of construction and decoration. Prior to the Seljuk period, the

embellishments of unglazed pottery featured carvings or stamps, which are considered a legacy of the

Sassanid and Parthian periods. A prominent type of unglazed pottery decoration widely utilized during

the Seljuk period is pottery with molded patterns, an innovation of the potters of this era, which was

also employed to adorn glazed pottery. Furthermore, various types of kitchenware from the Seljuk

period in the 12th century (6 AH), produced in the 13th century (7 AH), exhibited more elaborate and

detailed decorations. Additionally, the Iranian perspective on water has long regarded it as a sacred

entity; in Iranian culture, water is one of the four primary elements of the world, necessitating the

creation of dignified vessels for this sacred liquid. One such mashrabeh vessel dates back to the 12th

century AD. According to definitions in dictionaries, mashrabeh refers to drinking vessels or wine

glasses, and it is categorized into two groups: with and without handles. Mashrabeh is crafted using

the methods of addition or molding, featuring long, pleated garments and boots embroidered with

motifs of dancing men. These figures don long garments, with their hands placed atop one another in

an intertwined manner; this motif is known as the dance of the Magi or the dance of the hands in

Zoroastrianism. This ritual dance bears similarities to ancient Turkish dance in terms of its form, hand

movements, and foot placement. Additionally, an Arabic inscription on the collar of this vessel reads:

Al-Izzo, al-Iqbal, al-Ni'mah, al-Sa'ada, al-Dawla, al-Nusra, al-Rahma, among others. The curvature of

the neck is also slightly distinct, proportionate to the body of the drinker.

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