M.S 6.7th Century Patterned Bowl (TEN DECORATIVE BOWLS)

Replica Sculptures & Objects

M.S 6.7th Century PATTERNED BOWL

M.SPottery from the 6th and 7th centuries is geometric in terms of motifs,

It contains flower, animal, human, inscription, imaginary and mythological designs, mainly

These motifs are presented in a unified and integrated manner.

Of course, geometric designs, especially delicate and twisted plant motifs,

usually occupy the background of the work. These pottery are depicted as human and

Animal motifs, while historically important, are also used in some contemporary

can also be compared with the motifs of their manuscripts.

The Ten Pattern bowl also dates to the 6th and 7th centuries AH, discovered in eastern Iran

and is currently kept in the Kuwait National Museum. At that time, the plates

rimmed vessels with face patterns as decoration (either molded or painted)

) is placed. Go to the bowl, there are ten patterns or ten cracks on it

formed, which is the reason for this name. Faces, hair, middle figure etc. In this bowl

They are different from each other and none of them are repeated on the pattern, no face

No two braids are alike and no two braided hairs are exactly alike.

In the decoration method on this vessel and raw body, firstly parallel,

horizontal, vertical, broken, curved or intersecting lines, concentric circles, regular

dotted lines, usually a plant with many-petaled flowers or leaves

We encounter very simple geometric motifs such as

We come across plant, animal and human motifs in the works of centuries, which

gradually increases the subtlety of the motifs and their composition at the body level.

TEN DECORATIVE BOWLS

Pottery from the 6th and 7th centuries AD features geometric, floral, animal,

human, inscriptional, imaginary, and mythological designs as motifs, which are

predominantly presented in a cohesive and unified manner.

Geometric designs, particularly intricate and spiraled plant motifs, frequently serve

as the backdrop of the artwork. The human and animal figures depicted in this

pottery, while historically important, can also be juxtaposed with the motifs found in

certain contemporary manuscripts.

The Ten Patterns bowl also originates from the 6th and 7th centuries AH, having

been discovered in eastern Iran and is currently housed in the Kuwait National

Museum. During this period, vessels adorned with face patterns, either molded or

depicted, were utilized as decorative elements on plates. The bowl is named for the

ten patterns or cracks that have developed on its surface. The faces, hairstyles,

and overall shapes depicted on this bowl are distinct from one another, with no

repetitions in the mold; each face is unique, and no braided hairstyle is identical to

another.

In this decorative method applied to the vessel and its raw form, we initially

observe straightforward geometric motifs, including parallel, horizontal, vertical,

broken, curved, or intersecting lines, concentric circles, regular dotted lines, and

botanical designs, typically featuring multi-petaled flowers or leaves. However, in

the artworks of subsequent centuries, we find an emergence of plant, animal, and

human motifs, which progressively enhance the intricacy and composition of these

designs at the body level.

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